例句與造句

1. Britten, in one of his most enduring works, Variations on a Theme of Frank Bridge, acknowledged the profound influence of his mentor.
2. One of Britten's first significant works was a tribute to his teacher, Variations on a Theme of Frank Bridge ( 1937 ).
3. In 1937, Boyd Neel and his orchestra premiered Benjamin Britten s " Variations on a Theme of Frank Bridge " at the Festival.
4. The ballet's pseudo-mystical underpinnings, at odds with the theatricality of its Britten score ( Variations on a Theme of Frank Bridge ), may be abstract, but the action on stage is visually concrete.
5. Tharp's major new work for ABT, " How Near Heaven, " set to Benjamin Britten's " Variations on a Theme of Frank Bridge, " is unexpectedly lyrical for this modern choreographer.
6. It's difficult to find variations on a theme of frank bridge in a sentence. 用variations on a theme of frank bridge造句挺難的
7. The best known of his compositions from this period is probably " Variations on a Theme of Frank Bridge " for string orchestra, described by Matthews as the first of Britten's works to become a popular classic.
8. In 1942 he arranged Britten's " Variations on a Theme of Frank Bridge ", a work for string orchestra, for two pianos, to be used for Lew Christensen's ballet " Jinx ".
9. He arranged Britten's " Variations on a Theme of Frank Bridge " ( a work for string orchestra ) for full orchestra, for the ballet " Le R陃e de L閛nor ", choreographed by Frederick Ashton.
10. In " How Near Heaven " she wished to convey some related emblematic qualities : a death image in a funeral scene coincides with the funeral march in Britten's score, " Variations on a Theme of Frank Bridge, " a tribute to Britten's teacher.
11. These works betray the well-fed mediocrity of the composer's Hollywood period; the serenade is charming on first hearing, less so when one realizes that the main theme is lifted from Ponchielli's " Dance of the Hours " and the string textures copy Britten's Variations on a Theme of Frank Bridge.
12. Bridge is mostly remembered for privately tutoring Benjamin Britten, who later championed his teacher's music and paid homage to him in the " Variations on a Theme of Frank Bridge " ( 1937 ), based on a theme from the second of Bridge's " Three Idylls for String Quartet " ( 1906 ).
13. "A Boy Was Born " is in the form of a musical theme and six variations setting ten different texts dating mostly from the 15th century, with one by Christina Rossetti from the 19th century, Variation structures particularly appealed to Britten : even before composing " A Boy Was Born ", he had started a set of variations for string orchestra which he was later to complete as the " Variations on a Theme of Frank Bridge ".
14. Aaron Copland had introduced Britten to him at Tanglewood in 1939, and Koussevitzky had introduced Britten's Sinfonia da Requiem and Variations on a Theme of Frank Bridge to Boston Symphony audiences . ( It is probably just as well that Koussevitzky was unaware of Britten's early impression that he was " too finicky " a conductor . ) Britten authority Donald Mitchell also believes that it was Koussevitzky who urged Britten to see the Broadway production of " Porgy and Bess, " which proved a major influence on " Peter Grimes ."